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F9 can’t top $1 billion worldwide in theaters if the theaters don’t survive the pandemic. If so, then it’ll kick off what could be a monster year for Universal ( Boss Baby 2, No Time to Die, Marry Me, F9, Minions 2, Candyman, Halloween Kills, Sing 2, etc.), which is a big reason why Comcast CMCSA has been offering mid-level studio fare to help keep theatricals alive until the danger passes. More importantly, I have little idea, save for hope pinning on a new presidential administration and several promising coronavirus vaccines, whether The Boss Baby 2 will open theatrically as currently scheduled.
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Remember when those kid-friendly set-ups (with playtime before the movie and during a fifteen-minute intermission) were supposed to destroy the cinema? I’d happily watch any movie in one of those things today.Īnyway, I have no idea if The Boss Baby: Family Business will be any good, except to note that all six of DWA’s previous “part two” sequels ( Shrek 2, Madagascar 2, Kung Fu Panda 2, How to Train Your Dragon 2, Trolls: World Tour and The Croods: A New Age) were better than their respective “part one” installments. I can’t speak from experience, but I did see the film theatrically with my kids at one of those infamous-at-the-time “playground” movie theaters. It joined up with Trolls (released 4.5 months earlier) and Cats as an ideal movie to watch while theoretically using controlled substances. The previous flick, loosely based on Marla Frazee’s picture books, was a happy surprise in that it was easily one of DWA’s most aggressively weird and chaotic comedies. No, it’s not banking on decades-old franchise nostalgia, nor is it bringing back beloved franchise actors who have been MIA for the last handful of installments, but you get the idea. Jeff Goldblum, Lisa Kudrow and Jimmy Kimmel are also part of the voice cast of the pic, which Universal opened on July 1.'The Boss Baby: Family Business' Dreamworks and UniversalĪt a glance, the sequel (which presumably doesn’t demand knowledge of Netflix’s pretty damn good Boss Baby: Back in Business episodic) is skipping ahead to make a glorified “legacy sequel.” The kid stars (Tim and Ted) of the first film now aged to adulthood and acting as the “elders” to Tim’s seven-year-old daughter as she reveals herself as a Bab圜orp agent as well. ‘The Boss Baby: Family Business’ Review: Alec Baldwin And James Marsden Return In Wacky Sequel To Oscar-Nominated Hit “Since the first movie was so boy centric, we had an opportunity to have not only one strong female voice in that baby Tina, but also in Carol, voiced by Eva Longoria and Ariana Greenblatt,” McGrath said. Making Baby Tina (Amy Sedaris) the new Boss Baby also allowed McGrath to explore different family conflicts. “It wasn’t to set up a sequel as much as it was to tell kids Bab圜orp is real.”
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“The little baby winked at the camera,” McGrath said. The ending of the first movie, which introduces a female boss baby, was not a setup. McGrath said he never intended to make a sequel. “Still being faithful to the core themes and relationships of that first story, but being a part of watching Tom and Michael and all the great people involved build this out.” “The thing that’s always exciting about the prospect of a sequel is really pushing open the boundaries of that world that was established in the first film and seeing how much more can you do,” Hermann said. Hermann joined the production after producing the Kung Fu Panda trilogy at DreamWorks Animation. “He had a wonderful family and he was always slightly jealous of me because I got to go to Hollywood and make animated movies.” “In a way, I was always envious of my brother because I was so focused on career and never had a family,” McGrath said. Contenders Los Angeles: Complete Panel Coverage